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    "body": "<html><body><br/>\n<div class=\"floatright\"></div>\n<div class=\"rgonly\">\n<!--\"rgdatabox-CoreDisplay\" removed-->\n<div id=\"rgdatabox-Core\" style=\"display:none;\">\n<p>RGMediaType:films;\nTitle:MIS: Human Secret Weapon;\nCreators:;\nInterestLevel:Grades 9-12; Adult;\nReadingLevel:;\nGuidedReadingLevel:;\nLexile:;\nTheme:Heroism – real and perceived; Role of men; Vulnerability of the strong; War – glory, necessity, pain, tragedy;\nGenre:Documentary;\nPoV:Interviews with Nisei men;\nRelatedEvents:Battle of Okinawa;\nAvailability:Widely available;\nFreeWebVersion:;\nPrimarySecondary:;\nHasTeachingAids:No;\nWarnings:Wartime violence;\nDenshoTopic:Military Intelligence Service [91]; Okinawa [379]; Kibei [45];\nGeography:Okinawa; Japan;\nChronology:1940s to 2010s; mostly 1941–52;\nFacility:;\n</p>\n</div>\n</div>\n<div id=\"databox-FilmsDisplay\">\n<table class=\"infobox\" width=\"200px;\">\n<tr>\n<th scope=\"row\" style=\"text-align:left;\">Title</th>\n<td style=\"text-align:left;\">MIS: Human Secret Weapon</td>\n</tr>\n<tr>\n<th scope=\"row\" style=\"text-align:left;\">Date</th>\n<td style=\"text-align:left;\">2012</td>\n</tr>\n<tr>\n<th scope=\"row\" style=\"text-align:left;\"><a class=\"external text offsite\" href=\"http://www.imdb.com/genre/\" rel=\"nofollow\">Genre</a></th>\n<td style=\"text-align:left;\">Documentary</td>\n</tr>\n<tr>\n<th scope=\"row\" style=\"text-align:left;\">Director</th>\n<td style=\"text-align:left;\">Junichi Suzuki</td>\n</tr>\n<tr>\n<th scope=\"row\" style=\"text-align:left;\">Producer</th>\n<td style=\"text-align:left;\">Shigeto Terasawa (chief producer); Ann Haneda (producer); Erika Jones (producer); Yasuhiko Kaanzawa (producer)</td>\n</tr>\n<tr>\n<th scope=\"row\" style=\"text-align:left;\">Writer</th>\n<td style=\"text-align:left;\">Junichi Suzuki</td>\n</tr>\n<tr>\n<th scope=\"row\" style=\"text-align:left;\">Narrator</th>\n<td style=\"text-align:left;\">Lane Nishikawa</td>\n</tr>\n<tr>\n<th scope=\"row\" style=\"text-align:left;\">Starring</th>\n<td style=\"text-align:left;\">Jake Shimabukuro (interviewee); Tamlyn Tomita (interviewee); Takejiro Higa (interviewee); Fumie Higa (interviewee); Grant Ichikawa (interviewee); Thomas Sakamoto (interviewee); Stephen Payne (interviewee); Herbert Yanamura (interviewee); Hitoshi Sameshima (interviewee); Bruce Kaji (interviewee); Daniel Inouye (interviewee); Irene Hirano Inouye (interviewee); Harry Akune (interviewee); Richard Hamasaki (interviewee); Yoshiaki Fujitani (interviewee); Ted Tsukiyama (interviewee); George Fujimori (interviewee); Richard Hawkins (interviewee); Norman Kikuta (interviewee); James McNaughton (interviewee); Toru Kobayashi (interviewee); Carol Jensen (interviewee); Al Nipkow (interviewee); Harry Fukuhara (interviewee); Dick Hamada (interviewee); George Fujimori (interviewee); Thomas Tsubota (interviewee); Ken Akune (interviewee); Isao Oka (interviewee); Johnny Masuda (interviewee); Warren Higa (interviewee); Seiko Higa (interviewee); Haruo Chibana (interviewee); Chocho Kiyuna (interviewee); Seiho Higa (interviewee); Frank Higashi (interviewee); Norman Mineta (interviewee); Victor Matsui (interviewee); Stanley Falk (interviewee); George Ariyoshi (interviewee); Frances Kaji (interviewee); Raymond Murakami (interviewee); Wayne Kiyosaki (interviewee); Janet Yokoyama (interviewee); Tadayoshi Hara (interviewee); Elaine Yagawa (interviewee); Marvin Uratsu (interviewee); Kan Tagami (interviewee); Mazie Hirono (interviewee); Don Oka (interviewee); Daniel Akaka (interviewee); Akemi Kikumura-Yano (interviewee); Terry Shima (interviewee); Ichiro Fujisaki (interviewee); Masahide Ota (interviewee); Franklin Odo (interviewee); Colleen Hanabusa (interviewee); Janelle Kuroda (interviewee); Stephen Haller (interviewee); Craig Middleton (interviewee); Rosalyn Tonai (interviewee); Joseph Muratsuchi (interviewee)</td>\n</tr>\n<tr>\n<th scope=\"row\" style=\"text-align:left;\">Music</th>\n<td style=\"text-align:left;\">Kitaro</td>\n</tr>\n<tr>\n<th scope=\"row\" style=\"text-align:left;\">Cinematography</th>\n<td style=\"text-align:left;\">Masashi Kobuchi</td>\n</tr>\n<tr>\n<th scope=\"row\" style=\"text-align:left;\">Editing</th>\n<td style=\"text-align:left;\">Toru Mihara</td>\n</tr>\n<tr>\n<th scope=\"row\" style=\"text-align:left;\">Studio</th>\n<td style=\"text-align:left;\">UTB + Film Voice Inc.</td>\n</tr>\n<tr>\n<th scope=\"row\" style=\"text-align:left;\">Runtime</th>\n<td style=\"text-align:left;\">101 minutes</td>\n</tr>\n<tr>\n<th scope=\"row\" style=\"text-align:left;\"><a class=\"external text offsite\" href=\"http://www.imdb.com\" rel=\"nofollow\">IMDB</a></th>\n<td style=\"text-align:left;\">[www.imdb.com/title/tt2318595/ MIS: Human Secret Weapon]</td>\n</tr>\n</table>\n</div>\n<div id=\"databox-Films\" style=\"display:none;\">\n<p>Title:MIS: Human Secret Weapon;\nDate:2012; \nGenre:Documentary;\nReleased:;\nDirector:Junichi Suzuki;\nProducer:Shigeto Terasawa (chief producer); Ann Haneda (producer); Erika Jones (producer); Yasuhiko Kaanzawa (producer);\nWriter:Junichi Suzuki;\nScreenplay:;\nStory:;\nBasedOn:;\nNarrator:Lane Nishikawa;\nStarring:Jake Shimabukuro (interviewee); Tamlyn Tomita (interviewee); Takejiro Higa (interviewee); Fumie Higa (interviewee); Grant Ichikawa (interviewee); Thomas Sakamoto (interviewee); Stephen Payne (interviewee); Herbert Yanamura (interviewee); Hitoshi Sameshima (interviewee); Bruce Kaji (interviewee); Daniel Inouye (interviewee); Irene Hirano Inouye (interviewee); Harry Akune (interviewee); Richard Hamasaki (interviewee); Yoshiaki Fujitani (interviewee); Ted Tsukiyama (interviewee); George Fujimori (interviewee); Richard Hawkins (interviewee); Norman Kikuta (interviewee); James McNaughton (interviewee); Toru Kobayashi (interviewee); Carol Jensen (interviewee); Al Nipkow (interviewee); Harry Fukuhara (interviewee); Dick Hamada (interviewee); George Fujimori (interviewee); Thomas Tsubota (interviewee); Ken Akune (interviewee); Isao Oka (interviewee); Johnny Masuda (interviewee); Warren Higa (interviewee); Seiko Higa (interviewee); Haruo Chibana (interviewee); Chocho Kiyuna (interviewee); Seiho Higa (interviewee); Frank Higashi (interviewee); Norman Mineta (interviewee); Victor Matsui (interviewee); Stanley Falk (interviewee); George Ariyoshi (interviewee); Frances Kaji (interviewee); Raymond Murakami (interviewee); Wayne Kiyosaki (interviewee); Janet Yokoyama (interviewee); Tadayoshi Hara (interviewee); Elaine Yagawa (interviewee); Marvin Uratsu (interviewee); Kan Tagami (interviewee); Mazie Hirono (interviewee); Don Oka (interviewee); Daniel Akaka (interviewee); Akemi Kikumura-Yano (interviewee); Terry Shima (interviewee); Ichiro Fujisaki (interviewee); Masahide Ota (interviewee); Franklin Odo (interviewee); Colleen Hanabusa (interviewee); Janelle Kuroda (interviewee); Stephen Haller (interviewee); Craig Middleton (interviewee); Rosalyn Tonai (interviewee); Joseph Muratsuchi (interviewee);\nMusic:Kitaro;\nCinematography:Masashi Kobuchi;\nEditing:Toru Mihara;\nStudio:UTB + Film Voice Inc.;\nDistributor:;\nRuntime:101 minutes;\nCountry:;\nLanguage:;\nBudget:;\nGross:;\nIMDBLink:www.imdb.com/title/tt2318595/;\nTrailerLink:;\n</p>\n</div>\n<p>Feature length documentary film on the history of Japanese Americans in the <a class=\"encyc notrg\" href=\"http://encyclopedia.densho.org/Military_Intelligence_Service\" title=\"Military Intelligence Service\">Military Intelligence Service</a> (MIS) during World War II. Written and directed by Japanese filmmaker Junichiro Suzuki, <i>MIS: Human Secret Weapon</i> is the third film in Suzuki's trilogy of documentaries on Japanese Americans during World War II.\n</p>\n<div class=\"toc\" id=\"toc\"><div id=\"toctitle\"><h2>Contents</h2></div>\n<ul>\n<li class=\"toclevel-1 tocsection-1\"><a class=\"\" href=\"#Synopsis\"><span class=\"tocnumber\">1</span> <span class=\"toctext\">Synopsis</span></a></li>\n<li class=\"toclevel-1 tocsection-2\"><a class=\"\" href=\"#Additional_Information\"><span class=\"tocnumber\">2</span> <span class=\"toctext\">Additional Information</span></a></li>\n<li class=\"toclevel-1 tocsection-3\"><a class=\"\" href=\"#For_More_Information\"><span class=\"tocnumber\">3</span> <span class=\"toctext\">For More Information</span></a></li>\n<li class=\"toclevel-1 tocsection-4\"><a class=\"\" href=\"#Reviews\"><span class=\"tocnumber\">4</span> <span class=\"toctext\">Reviews</span></a></li>\n<li class=\"toclevel-1 tocsection-5\"><a class=\"\" href=\"#Footnotes\"><span class=\"tocnumber\">5</span> <span class=\"toctext\">Footnotes</span></a></li>\n</ul>\n</div>\n<h2><span class=\"mw-headline\" id=\"Synopsis\">Synopsis</span></h2>\n<p><i>MIS: Human Secret Weapon</i> is based on dozens of interviews (most in English, but a few in Japanese) with former MIS soldiers, those who served with them, Japanese and Okinawans who encountered them during the war, and various experts and notables who share their thoughts on the impact of the MIS. After brief thoughts on the significance of the MIS by musician Jake Shimabukuro and actress Tamlyn Tomita, the film begins with MIS veteran Takejiro Higa and his wife in Honolulu, following them as they attend a ceremony of the new visitors center at the U.S.S. Arizona Memorial in 2011, as they recall the attack on Pearl Harbor. \n</p><p>The film next turns to the <a class=\"encyc notrg\" href=\"http://encyclopedia.densho.org/Kibei\" title=\"Kibei\">Kibei</a> status of many of the men, the wartime incarceration of Japanese Americans on the West Coast, and the rigorous curriculum at the <a class=\"encyc notrg\" href=\"http://encyclopedia.densho.org/Military_Intelligence_Service_Language_School\" title=\"Military Intelligence Service Language School\">Military Intelligence Service Language School</a>, which began in San Francisco, but moved to Minnesota after the exclusion. Next, we hear stories from the men of their service in the Pacific, whether in combat, as interrogators, as translators of valuable documents, or as creators of propaganda aimed at both Japanese soldiers and civilians. The film then turns to the Battle of Okinawa, focusing on the role of Okinawan Americans who were able to save the lives of civilians by convincing them to surrender and exit the caves and tombs in which they were hiding. The film highlights the story of Higa, who describes his mixed feelings in landing in Okinawa where he had largely been raised and who discovers former classmates from Okinawa among those he ends up interrogating. He later visits relatives in Okinawa who were initially angered by his role in the war.\n</p><p>With the end of the war, the film turns to Japanese American MIS soldiers in the occupation period, with several describing the miserable conditions Japanese civilians faced in the early postwar period. In discussing the intelligence role played by some in the MIS, the film highlights the exploits of <a class=\"encyc notrg\" href=\"http://encyclopedia.densho.org/Richard_Sakakida\" title=\"Richard Sakakida\">Richard Sakakida</a>, though he had passed away by the time of the film and is thus not interviewed. The film ends with the awarding of the Congressional Gold Medal to members of the <a class=\"encyc notrg\" href=\"http://encyclopedia.densho.org/100th_Infantry_Battalion\" title=\"100th Infantry Battalion\">100th Infantry Battalion</a>, <a class=\"encyc notrg\" href=\"http://encyclopedia.densho.org/442nd_Regimental_Combat_Team\" title=\"442nd Regimental Combat Team\">442nd Regimental Combat Team</a>, and MIS in 2011 and with reflections of notables ranging from Senator Daniel Akaka to historian Franklin Odo on the significance of the MIS story.\n</p>\n<div class=\"toplink\"><a href=\"#top\"><i class=\"icon-chevron-up\"></i> Top</a></div><h2><span class=\"mw-headline\" id=\"Additional_Information\">Additional Information</span></h2>\n<p>Director Junichi Suzuki (1952– ) is a well-known Japanese filmmaker of both fiction and non-fiction feature films for both theatrical release and Japanese television. As of 2016, he had directed 27 feature films. Moving temporarily to Los Angeles in 2001, he became acquainted with the story of the Japanese American World War II experience through meeting local Japanese Americans and became interested enough in the story to make the documentary film <i><a class=\"encyc notrg\" href=\"http://encyclopedia.densho.org/Toyo%27s_Camera:_Japanese_American_History_During_WWII_(film)\" title=\"Toyo's Camera: Japanese American History During WWII (film)\">Toyo's Camera: Japanese American History during World War II</a></i> in 2009. He followed this up with a second documentary, <i><a class=\"encyc notrg\" href=\"http://encyclopedia.densho.org/442:_Live_with_Honor,_Die_with_Dignity_(film)\" title=\"442: Live with Honor, Die with Dignity (film)\">442: Live with Honor, Die with Dignity</a></i> in 2010. <i>MIS: Human Secret Weapon</i> was the third and last film of his Japanese American trilogy. Aided by the financial support of prominent Japanese American physician <a class=\"encyc notrg\" href=\"http://encyclopedia.densho.org/Paul_Terasaki\" title=\"Paul Terasaki\">Paul Terasaki</a> (his credit reads \"... was made possible by Dr. Paul Terasaki\"), the film began shooting in February of 2011 and included interviews in both the United States and Japan as well as various historical sites relevant to the MIS story. The film received a limited theatrical release in Los Angeles and New York in April of 2012 and was widely screened around the country and in Japan subsequently.<sup class=\"reference\" id=\"cite_ref-ftnt_ref1_1-0\"><a class=\"\" href=\"#cite_note-ftnt_ref1-1\">[1]</a></sup>\n</p><p>Reviews were mixed, with reviewers praising the significance of the story and the cinematography, but finding fault with the way the story was told. George Toshio Johnson in the <i>Rafu Shimpo</i> notes the \"many marvelous stories—funny and horrifying, poignant and wistful, ironic and wondrous\" and Jana Monjii calls it \"... a sensitive portrayal of the war on both sides—America and Japan\" on examiner.com.<sup class=\"reference\" id=\"cite_ref-ftnt_ref2_2-0\"><a class=\"\" href=\"#cite_note-ftnt_ref2-2\">[2]</a></sup> John Anderson of <i>Variety</i> calls the work of cinematographer Masashi Kobuchi \"often spectacular.\"<sup class=\"reference\" id=\"cite_ref-ftnt_ref3_3-0\"><a class=\"\" href=\"#cite_note-ftnt_ref3-3\">[3]</a></sup> But other reviewers called the filmmaking \"a bit clumsy,\" \"hamhanded,\" \"flat-footedly pedestrian,\" and \"intensely, ceaselessly boring.\"<sup class=\"reference\" id=\"cite_ref-ftnt_ref4_4-0\"><a class=\"\" href=\"#cite_note-ftnt_ref4-4\">[4]</a></sup> In particular, reviewers found Suzuki's penchant for milking the tears of veteran interview subjects exploitive, with Anderson writing that \"Suzuki all but shoves the camera into his interviewees' tear ducts....\" and <i>Film Journal International</i> writing that \"Suzuki's camera rudely thrusts itself into the old men's faces to catch their emotions; this tendency, along with horrid, bathetic music and clumsy, stilted narration, help to aesthetically demean an unquestionably great subject.\"<sup class=\"reference\" id=\"cite_ref-ftnt_ref5_5-0\"><a class=\"\" href=\"#cite_note-ftnt_ref5-5\">[5]</a></sup>\n</p>\n<div id=\"authorByline\"><b>Authored by <a class=\"encyc notrg\" href=\"http://encyclopedia.densho.org/Brian_Niiya\" title=\"Brian Niiya\">Brian Niiya</a>, Densho</b></div>\n<div id=\"citationAuthor\" style=\"display:none;\">Niiya, Brian</div>\n<div class=\"toplink\"><a href=\"#top\"><i class=\"icon-chevron-up\"></i> Top</a></div><h2><span class=\"mw-headline\" id=\"For_More_Information\">For More Information</span></h2>\n<p>Director website: <a class=\"external free offsite\" href=\"http://suzukijunichi.com/index_eng.html\" rel=\"nofollow\">http://suzukijunichi.com/index_eng.html</a>.\n</p>\n<div class=\"toplink\"><a href=\"#top\"><i class=\"icon-chevron-up\"></i> Top</a></div><h2><span class=\"mw-headline\" id=\"Reviews\">Reviews</span></h2>\n<p>Anderson, John. <i><a class=\"external text offsite\" href=\"http://variety.com/2012/film/reviews/mis-human-secret-weapon-1117947362/\" rel=\"nofollow\">Variety</a></i>, Apr. 8, 2012.\n</p><p><i><a class=\"external text offsite\" href=\"http://www.filmjournal.com/content/film-review-mis-human-secret-weapon\" rel=\"nofollow\">Film Journal International</a></i>, Apr. 6, 2012. \n</p><p>Genzlinger, Neil. \"<a class=\"external text offsite\" href=\"http://www.nytimes.com/2012/04/06/movies/mis-human-secret-weapon-directed-by-junichi-suzuki.html\" rel=\"nofollow\">Hidden Mission of Japanese-Americans in World War II</a>.\" <i>New York Times</i>, Apr. 5, 2012. \n</p><p>Goldstein, Gary. <i><a class=\"external text offsite\" href=\"http://articles.latimes.com/2012/apr/06/entertainment/la-et-capsules-20120406/2\" rel=\"nofollow\">Los Angeles Times</a></i>, Apr. 6, 2012.\n</p><p>Johnston, George Toshio. \"<a class=\"external text offsite\" href=\"http://www.rafu.com/2012/04/into-the-next-stage-mis-human-secret-weapon-delivers-humanity/\" rel=\"nofollow\">Into the Next Stage: 'MIS: Human Secret Weapon' Delivers Humanity</a>.\" <i>Rafu Shimpo</i>, Apr. 12, 2012.\n</p><p>Marsh, Calum. <i><a class=\"external text offsite\" href=\"http://www.slantmagazine.com/film/review/mis-human-secret-weapon\" rel=\"nofollow\">Slant Magazine</a></i>, Apr. 5, 2012.\n</p><p>Monjii, Jana. \"<a class=\"external text offsite\" href=\"http://www.examiner.com/review/mis-human-secret-weapon-looks-at-little-known-war-efforts\" rel=\"nofollow\">'MIS Human Secret Weapon' Looks at Little-Known War Efforts</a>.\" examiner.com, March 31, 2012.\n</p><p>Schenker, Andrew. <i><a class=\"external text offsite\" href=\"http://www.villagevoice.com/film/mis-human-secret-weapon-6434568\" rel=\"nofollow\">Village Voice</a></i>, Apr. 4, 2012.\n</p><p>Schilling, Mark. <i><a class=\"external text offsite\" href=\"http://www.japantimes.co.jp/culture/2012/12/07/films/film-reviews/mis-human-secret-weapon-santa-kurosu-wo-tsukamaete-chasing-santa-claus/#.V2IcuOcrLRZ\" rel=\"nofollow\">The Japan Times</a></i>, Dec. 7, 2012.\n</p>\n<div class=\"toplink\"><a href=\"#top\"><i class=\"icon-chevron-up\"></i> Top</a></div><h2><span class=\"mw-headline\" id=\"Footnotes\">Footnotes</span></h2>\n<div class=\"reflist\" style=\"list-style-type: decimal;\">\n<ol class=\"references\">\n<li id=\"cite_note-ftnt_ref1-1\"><span class=\"mw-cite-backlink\"><a class=\"\" href=\"#cite_ref-ftnt_ref1_1-0\">↑</a></span> <span class=\"reference-text\">Junichi Suzuki website, <a class=\"external free offsite\" href=\"http://suzukijunichi.com/index_eng.html\" rel=\"nofollow\">http://suzukijunichi.com/index_eng.html</a>; George Toshio Johnston, \"Into the Next Stage: Filmmaker Junichi Suzuki Completes Nikkei Trilogy with 'MIS: Human Secret Weapon,'\" <i>Rafu Shimpo</i>, March 29, 2012, <a class=\"external free offsite\" href=\"http://www.rafu.com/2012/03/itns-29/\" rel=\"nofollow\">http://www.rafu.com/2012/03/itns-29/</a>, both accessed on June 15, 2016.</span>\n</li>\n<li id=\"cite_note-ftnt_ref2-2\"><span class=\"mw-cite-backlink\"><a class=\"\" href=\"#cite_ref-ftnt_ref2_2-0\">↑</a></span> <span class=\"reference-text\">George Toshio Johnston, \"Into the Next Stage: 'MIS: Human Secret Weapon' Delivers Humanity,\" <i>Rafu Shimpo</i>, Apr. 12, 2012, <a class=\"external free offsite\" href=\"http://www.rafu.com/2012/04/into-the-next-stage-mis-human-secret-weapon-delivers-humanity/\" rel=\"nofollow\">http://www.rafu.com/2012/04/into-the-next-stage-mis-human-secret-weapon-delivers-humanity/</a>; Jana Monjii, \"'MIS Human Secret Weapon' Looks at Little-Known War Efforts,\" examiner.com, March 31, 2012, <a class=\"external free offsite\" href=\"http://www.examiner.com/review/mis-human-secret-weapon-looks-at-little-known-war-efforts\" rel=\"nofollow\">http://www.examiner.com/review/mis-human-secret-weapon-looks-at-little-known-war-efforts</a>, both accessed on June 15, 2016.</span>\n</li>\n<li id=\"cite_note-ftnt_ref3-3\"><span class=\"mw-cite-backlink\"><a class=\"\" href=\"#cite_ref-ftnt_ref3_3-0\">↑</a></span> <span class=\"reference-text\">John Anderson, <i>Variety</i>, Apr. 8, 2012, <a class=\"external free offsite\" href=\"http://variety.com/2012/film/reviews/mis-human-secret-weapon-1117947362/\" rel=\"nofollow\">http://variety.com/2012/film/reviews/mis-human-secret-weapon-1117947362/</a>, accessed on June 15, 2016.</span>\n</li>\n<li id=\"cite_note-ftnt_ref4-4\"><span class=\"mw-cite-backlink\"><a class=\"\" href=\"#cite_ref-ftnt_ref4_4-0\">↑</a></span> <span class=\"reference-text\">Quotes from in order: Neil Genzlinger, \"Hidden Mission of Japanese-Americans in World War II,\" <i>New York Times</i>, Apr. 5, 2012, <a class=\"external free offsite\" href=\"http://www.nytimes.com/2012/04/06/movies/mis-human-secret-weapon-directed-by-junichi-suzuki.html\" rel=\"nofollow\">http://www.nytimes.com/2012/04/06/movies/mis-human-secret-weapon-directed-by-junichi-suzuki.html</a>; Anderson, <i>Variety</i>; Mark Schilling, <i>The Japan Times</i>, Dec. 7, 2012, <a class=\"external free offsite\" href=\"http://www.japantimes.co.jp/culture/2012/12/07/films/film-reviews/mis-human-secret-weapon-santa-kurosu-wo-tsukamaete-chasing-santa-claus/#.V2IcuOcrLRZ\" rel=\"nofollow\">http://www.japantimes.co.jp/culture/2012/12/07/films/film-reviews/mis-human-secret-weapon-santa-kurosu-wo-tsukamaete-chasing-santa-claus/#.V2IcuOcrLRZ</a>; and Calum Marsh, <i>Slant Magazine</i>, Apr. 5, 2012, <a class=\"external free offsite\" href=\"http://www.slantmagazine.com/film/review/mis-human-secret-weapon\" rel=\"nofollow\">http://www.slantmagazine.com/film/review/mis-human-secret-weapon</a>, all accessed on June 15, 2015.</span>\n</li>\n<li id=\"cite_note-ftnt_ref5-5\"><span class=\"mw-cite-backlink\"><a class=\"\" href=\"#cite_ref-ftnt_ref5_5-0\">↑</a></span> <span class=\"reference-text\">Anderson, <i>Variety</i>; <i>Film Journal International</i>, Apr. 6, 2012, <a class=\"external free offsite\" href=\"http://www.filmjournal.com/content/film-review-mis-human-secret-weapon\" rel=\"nofollow\">http://www.filmjournal.com/content/film-review-mis-human-secret-weapon</a>, both accessed on June 15, 2015. Two other reviewers—Marsh in <i>Slant Magazine</i> and Schilling in <i>The Japan Times</i> make the same point.</span>\n</li>\n</ol></div>\n<!-- \nNewPP limit report\nCPU time usage: 0.168 seconds\nReal time usage: 0.172 seconds\nPreprocessor visited node count: 514/1000000\nPreprocessor generated node count: 3231/1000000\nPost‐expand include size: 13990/2097152 bytes\nTemplate argument size: 7393/2097152 bytes\nHighest expansion depth: 4/40\nExpensive parser function count: 0/100\nExtLoops count: 0/100\n-->\n<!-- Saved in parser cache with key mediawiki:pcache:idhash:2006-0!*!0!!en!5!* and timestamp 20170917074106 and revision id 26836\n -->\n<div class=\"toplink\"><a href=\"#top\"><i class=\"icon-chevron-up\"></i> Top</a></div></body></html>",
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    "url_title": "MIS: Human Secret Weapon (film)",
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    "title": "MIS: Human Secret Weapon (film)",
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    "title_sort": "MIS: Human Secret Weapon (film)",
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