RS: And it was at one of those auctions where I was buying furniture, buying all kinds of things, necessities, when -- I was there with one of my colleagues. And there was this farmer standing next to me. And I still remember him. And he was wearing these blue coveralls and he kept nudging closer to me. And finally, during a break in the auction, he said, "Excuse me, sir," he said, "I was overhearing you speak the language, and I was wondering how you come to speaking it so good. Where are you from?" And I said, "I'm from Seattle." And he says, "No," he says, "Where are your parents from?" And I said, "Well, my mother was born in Idaho, and my father was born in Seattle." And I knew what he was after, but I had just decided, since these were questions that I'd probably answered half-a-dozen times prior to this conversation, that I would only answer him truthfully, and give him what he asked. And when he said, "Are you a student at Haskell?" And I said, "No, I teach at KU." "What do you teach?" I said, "I teach painting." And he said, "Well, what's your ancestry?" or something like that. I says, "Well, I'm Japanese, Japanese American." And he says, "Well, konnichi wa." And I kind of looked at him, and he said, "The little lady and I lived in Japan." And he said, "We used to buy them pictures of 'gishi' girls wearin' them kimonos." And he says, "Do you do pictures like that?" And I just kind of shrugged my shoulders and just sort of said, "Yeah." And my friend that was with me was just laughing hysterically. And I just wanted to get away from this guy. So for the rest of the auction I thought about that conversation. And it wasn't as though it was so different from other conversations, but he had sort of summarized, he brought in everything, into that one conversation.

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